Deutsch
forms so to speak an isle of delightfully looked at cassettes + bookbindings in red morocco with contents of highest quality , rarities truffled with uniqueness , yet uniqueness paired with itself and in such a way magnified to
exemplaires enrichi ,
showcase pieces of worldwide singularity
in the truest sense of the word. From time to time also simply just a rarity or things of special beauty + charm then also including contemporary bindings additionally enobled by an astounding impeccable state. But following the conversation language of the Ridinger time of which so many parallel print subtexts bear witness, always in that ruby red morocco quoting best French bibliophile 18th century as crème de la crème of every symbiosis of art , mind , and domestic way seeing oneself, quite possibly also with a not always avoidable touch of grandeur which latter now and then even lets the beholder hold in and forget the world about himself.
In doing so consciously keeping distance of any in the result only imitating repeat of the luxurious leather stamping of that grand epoch, just also of that of the master’s collectors abroad led by France + England and in respect of his oils crowned by the czar’s court. Thus here and today then timely sober confinement to, indeed, overlapping, but otherwise plain gilt-stamped filets as border of the edges + back-plates. The title-stamping in likewise 23.5 carat, however, frequently with Johann Elias Ridinger as richly designed signature italics following now, of course, former ornament. As reverence for the man + the time. From the œuvre, however, were taken a stag + a horse each as vignettes – »Le dix-huitiême siècle est le siècle de la vignette«, E. & J. de Goncourt – adorning, according to contents apart or combined, usually the covers of cassettes + bookbindings. As reverence towards the œuvre. And as provenance mark in addition. Documenting, mostly joint with “ridinger handlung niemeyer” and “niemeyer fine arts” resp. at inner lower edge, its origin from reliable house , just
from lüder h. niemeyer
Oculi , here they are already coming :
Lion Copy
Johann Elias Ridinger’s
“Representation of the Fair Game” as the
deviating AUTHOR’S COPY
and truffled with an additional worldwide uniqueness
The Court of Louis XIV in Red Morocco
Wilhelm Weigand (ed.)
The Court of Louis XIV in its Late Period after Le Brun
from the Memoirs of the Duke of Saint-Simon
Otter Copy
Johann Elias Ridinger’s
“Representation of the Fair Game”
truffled with a worldwide uniqueness
Le Grand Exemplaire
Johann Elias Ridinger’s
“The Fair Game Hounded by the Different Kinds of Hounds”
as a worldwide unique collector’s item
Guild Order in Showcase Copy
Charles Frederick, Grand Duke of Saxony-Weimar-Eisenach etc.
Guild Order for the Damask, Twill and Other Weavers
with Charles Frederick’s autograph signature
La Précieuse Suite
Johann Elias Ridinger’s
Th. 1314–1317 (!!)
as the second earliest hunting set
in hitherto
its one and only copy provable here
Toils Copy
as a worldwide unprecedentedly unique Gesamtkunstwerk
a synthesis of the arts
to Johann Elias Ridinger’s Th. 17
“The Hunting Ground surrounded by Flaring Cords”
The Law in everyday Hunting Life
in the Century of Ridinger
Hunting Edicts by the Dukes of Brunswick-Luneburg 1705-1805
as
Continuously represented will of game-law of a whole century
Johann Heinrich Tischbein II
Haina 1742 – Kassel 1808
“Collection of One Hundred and Seventy Engravings”
as approximately
“Complete Edition of his Works”
